simulacrum

英 [ˌsɪmjuˈleɪkrəm]

美 [ˌsɪmjuˈleɪkrəm]

n.  假象; 模拟物; 幻影

BNC.43430 / COCA.25529

牛津词典

noun

• 假象；模拟物；幻影
  something that looks like sb/sth else or that is made to look like sb/sth else

英英释义

noun

• a representation of a person (especially in the form of sculpture)
  1. the coin bears an effigy of Lincoln
  2. the emperor's tomb had his image carved in stone
  Synonym:effigyimage
• an insubstantial or vague semblance

双语例句

• Chapter two mainly explores the consumer society and its modernity under the context of theory of simulacrum, including the new understanding of the consumer society and reflections of modernity from the perspective of the theory of simulacrum.
  第二章重点探讨仿像理论视野中的消费社会与现代性，这包括仿像理论对消费社会新的认识以及对现代性的反思。
• A close interrogation of postmodern theories of Jean Baudrillard, especially the theory of simulacrum, reveals the origin of "simulations" frequently depicted by White Noise in the second part.
  第二部分依托让·鲍德里亚的后现代社会理论，以“模拟”理论为重点，试析《白噪音》中比比皆是的“模拟”现象其根源所在。
• After simulating the real road by W-M function find that this model can reflect the genius trait of simulacrum.
  然后利用W-M函数模拟了路面的轮廓曲线，经过对比分析发现该模型能反映实际轮廓曲线的本质特点。
• Simulacrum becomes commoner and commoner as a novel creation technics.
  仿像作为一种小说写作工艺越来越常见。
• From this point of view, simulacrum is also a theory with modernity.
  仿像理论是一种历史观，是理解当下发生的历史理论，从这个意义上说，仿像也是一种现代性理论。
• Its intersubjectivity, simulacrum, and virtual experience have a new theoretic character.
  它的审美交互主体性、像审美客体和虚拟体验审美心理都有着全新的理论特征。
• These characters in the novel are blind to reality merely pursuing their selfhood in a simulacrum order.
  小说中的人物对现实视而不见，而是在拟像秩序中寻找自我。
• As the pictures above show, the result was often a recognisable simulacrum of the original.
  如上图所示，结果是一个可见的影像原型。
• On the one hand, it points to the feelings of cultural identity; on the other hand, it mixes the consumption and constructs the visual simulacrum in the urban consumer space. This post-modern landscape has become a unique social phenomenon.
  它一方面指向身份认同的情感归属，一方面与消费主义混杂一隅，不断地在城市的消费空间中构建某种视觉拟像，这一后现代景观现已成为上海新都市文化空间的奇特一景。
• Literary reception activities shift from one emotion to emotion encoding, during which reception imagination is confined to some extent and the ideology simulacrum brought dominates the reception activities.
  文学接受活动由一种情感活动转向了视觉编码，在这个过程中的接受想象在一定程度上被限定，拟像带来的意识形态控制主导了接受活动，接受由理性思维变为一种感性直觉。